Thursday, September 27, 2018

Watch Jorge Linares vs Abner Cotto 29 September saturday ,Live Stream Online 29 September 2018.

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Former three-division world titleholder Jorge Linares will eye a return to the win column when he faces Abner Cotto on Sept. 29 at the Fantasy Springs Resort Casino in Indio, California, Golden Boy Promotions announced Wednesday.

Linares will face Cotto, a nephew of former four-division world champion Miguel Cotto, in the 12-round junior welterweight main event of a "Golden Boy Fight Night" card, which will be streamed live on Facebook Watch in the United States as part of the company's deal with the social media giant.

"Jorge Linares is recognized as one of boxing's best pound-for-pound fighters and demonstrated that in his long reign as lightweight champion," Golden Boy CEO Oscar De La Hoya said. "So, it's perfect that he's joining an illustrious list of headliners for this new Facebook partnership. Linares is a world-class fighter who has never been in a boring fight, and I know Abner Cotto will deliver a tough challenge in as he showcases his Puerto Rican boxing pedigree and relentless heart in the ring."

Linares (44-4, 27 KOs), 33, a Venezuela native fighting out of Las Vegas, is a former featherweight, junior lightweight and lightweight world titleholder who will be boxing for the first time since pound-for-pound king Vasiliy Lomachenko knocked him out in the 10th round to take his lightweight belt on May 12 at Madison Square Garden in New York in one of the year's most significant fights.

Although Linares will fight Cotto in the junior welterweight division, Golden Boy Promotions president Eric Gomez told ESPN that Linares might also fight in the lightweight division again after the bout.


"I am coming back hungrier than ever to demonstrate to the world that I am still one of the best pound-for-pound fighters in the world," Linares said. "I want those big fights and the world has not seen the best of me. With my new trainer and my team, we will demonstrate that I am more than capable in taking over this new [140-pound] division against a notable opponent in Abner Cotto. This Sept. 29, fans will see a determined Jorge Linares."

The fight will be Linares' first under trainer Jorge Zerpa, who replaces longtime trainer Ismael Salas, who was not available to train Linares for the Lomachenko fight, that task falling to Linares' brother and longtime assistant trainer Carlos Linares.


Cotto (23-3, 12 KOs), 31, of Puerto Rico, has won five fights in a row since former junior lightweight world titleholder Javier Fortuna knocked him out in the fifth round in November 2014. After that fight, Cotto moved up in weight to junior welterweight.

"I feel very excited for this new opportunity that this sport offers me," Cotto said. "I'm immensely grateful to my team and my promoters for bringing my career back to the highest. This is a sport where I have fallen, but with the support of my family, my people and the commitment of my team, I have returned with much more desire to achieve the goal I have always dreamed of since I was 10 years old, which is to challenge for a world title.

"My promoter has placed all its trust in me, and I will work tirelessly to achieve the goals set. Thanks to all who made this great fight possible. Expect one full of emotion."

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It airs on a platform new to the prestige programming game (Facebook Watch). It stars a genuine movie star (Elizabeth Olsen). It seems primarily made to appeal to TV critics, its subject matter is incredibly niche, and its first-week viewership seems destined to prove nobody’s watching these streaming shows. (As I write this, barely 20,000 people have watched the series’ fourth episode, by Facebook’s notoriously unreliable view count.)

But even when you control for the fact that I’m in the show’s core audience of TV critics, Sorry for Your Loss strikes me as something quite special. It has its problems here and there — the subplots about the gym operated by Olsen’s character’s family mostly fall flat — but I get why Facebook Watch made such a big push for this series. It’s delicately observed and emotionally acute, and its first four episodes (all available for free to anyone with a Facebook account) tell a lovely story about a widow’s grief in just under two hours.

I realize “a lovely story about a widow’s grief” doesn’t sound like an easy watch, but the series’ fourth episode, “Visitor,” is a terrific example of how the show uses its emotional rawness to explore the experience of grief without creating a wallow.

Sorry for Your Loss understands grief is intensely personal, but it’s not owned by any one person



When Sorry for Your Loss begins, a few months have passed since the death of Matt (Mamoudou Athie, who appears in several flashbacks in each episode). His friends and family still grieve him, especially his wife, Leigh (Olsen), who likely didn’t think she would be a widow so young.

But that word “especially” is a charged one. Sorry takes great pains to dig into how Leigh’s grief is her own, but it is not necessarily greater or more significant than the grief of anyone else who’s lost Matt. In one episode, Matt’s brother, Danny, played by Jovan Adepo, tells Leigh that while she can eventually get another husband, he’ll never get another brother. And while that’s cruel, it’s also true.

This is one of the things that marks good television — the ability to understand the choice of protagonist, while not arbitrary, always centralizes a certain perspective while decentralizing other perspectives that might bring just as much to the table. That understanding is present all over the place in Sorry, which is filtered through Leigh’s perspective but never forgets that all of the other characters, including her sister (Kelly Marie Tran) and mother (Janet McTeer — spot-on “Elizabeth Olsen’s mom” casting), miss Matt, too, in their own ways.

All of this comes to a head unexpectedly in “Visitor,” in which Leigh rescues a seemingly stray dog and takes it in, thus prompting a series of flashbacks to her life with Matt that fill in bits and pieces of the narrative, both on an emotional level and a plot level.

The latter is likely the most significant for the series going forward. Leigh has slowly started to realize, over the course of the first four episodes, that she might not have known her husband as well as she thought. He kept his phone locked, and she doesn’t know the passcode. And why was his credit card in the freezer?

But remembering the dog Matt owned when he first met her — which gradually became the couple’s dog — Leigh realizes what his passcode must have been (the day when the two realized it was best the dog be put down, and Matt saw Leigh for the kind of caring, loving woman he wanted to marry). She unlocks the phone, thus setting up the next handful of episodes (which I’ve seen — they’re good!).

But even more significant are the emotional reveals, and they’re what truly make “Visitor” special. Matt, you see, struggled with depression, and Sorry for Your Loss understands both what differentiates depression from grief, and why it can be so hard for a partner who doesn’t struggle with the condition to understand a partner who does.